学英语作文

时间：2023-10-01 12:50:08 英语作文我要投稿

（优选）学英语作文10篇

　　在日常学习、工作和生活中，大家最不陌生的就是作文了吧，通过作文可以把我们那些零零散散的思想，聚集在一块。那么一般作文是怎么写的呢？以下是小编为大家收集的学英语作文10篇，欢迎大家借鉴与参考，希望对大家有所帮助。

（优选）学英语作文10篇

学英语作文篇1

　　One day, cat is in the basket. it's very lazy. it is sleeping. now the cat's food is beside the cat. one mouse is very hungry. it is eating the cat's food. the cat's food is so yummy.

　　The cat wakes up. he is behind the mouse. he wants to catch the mouse. so,he is chasing the mouse. the mouse is afraid. he jumps onto the door. but, the door is high. the cat can't catch the mouse. the mouse is under the chair now. it is running.the cat still can't catch the mouse. the mouse runs fast. it runs into the hole. the hole is small. but, the cat is big. it can't go into the hole. so, the cat is angry and tired. it is crying. it's very sad. but the mouse is very happy!

　　翻译：

　　有一天，猫在篮子里。很懒惰地正在睡觉。猫的`食物在猫旁边。一只老鼠很饿，它正在吃猫的食物。猫的食物看起来是如此美味。

　　猫醒来了他在老鼠后面他想抓住老鼠。所以他追着老鼠。老鼠很害怕跳上门。但是门很高。猫不能抓住老鼠。老鼠现在在椅子下面。它正在跑。猫仍然无法抓住老鼠。老鼠跑得很快。它进入洞。孔很小。但是，这只猫很大。它不能进入洞里。所以，猫生气累了。它正在哭泣，很伤心，但老鼠很开心！

学英语作文篇2

　　there was a bit of a fuss at tate britain the other day. a woman was hurrying through the large room that houses lights going on and off in a gallery, martin creeds turner prize-shortlisted installation in which, yes, lights go on and off in a gallery. suddenly the womans necklace broke and the beads spilled over the floor. as we bent down to pick them up, one man said: perhaps this is part of the installation. another replied: surely that would make it performance art rather than an installation. or a happening, said a third.

　　these are confusing times for britains growing audience for visual art. even one of creeds friends recently contacted a newspaper diarist to say that he had visited three galleries at which creeds work was on show but had not managed to find the artworks. if he cant find them, what chance have we got?

　　more and more of londons gallery space is devoted to installations. london is no longer a city, but a vast art puzzle. net to creeds flashing room is mike nelsons installation consisting of an illusionistic labyrinth that seems to lead to a dusty tate storeroom. its the security guards i feel sorry for, stuck in a fau back room fielding tricky questions about the aesthetic merits of conceptual art simulacra and helping people with low blood sugar find the way out.

　　every london postcode has its installation artist. in sw6 luca vitoni has created a small wooden bo with grass on the ceiling and blue sky on the floor. visitors can enhance the eperience with free yoga sessions. in w2 the serpentine gallery has commissioned doug aitken to redesign its space as a sequence of dark, carpeted rooms with dramatic filmed images of icy landscapes, waterfalls and bored subway passengers miraculously swinging like gymnasts around a cross-like arrangement of four video screens. the gallery used to be stables, you know. not to be outdone, in se1 tate modern has a wonderful installation by juan munoz.

　　at the launch of this years turner prize show, a disgruntled painter suggested that the ice cream van that parks outside the tate should have been shortlisted. this is a particularly stupid idea. where would we get our ice creams from then?

　　what we need is the answer to three simple questions. what is installation art? why has it become so ubiquitous? and why is it so bloody irritating?

　　first question first. what are installations? installations, answers the thames and hudson dictionary of art and artists with misplaced self-confidence, only eist as long as they are installed. thanks for that. this presumably means that if the ice cream van man took the handbrake off his installation van no1, it wouldnt be an installation any more.

　　the dictionary continues more promisingly: installations are multi-media, multi-dimensional and multi-form works which are created temporarily for a particular space or site either outdoors or indoors, in a museum or gallery.

　　as a first stab at a definition, this isnt bad. it rules out paintings, sculptures, frescoes and other intuitively non-installational artworks. it also says that anything can be an installation so long as it has art status conferred on it (your flashing bulb is not art because it hasnt got the nod from the gallery, so dont bother writing a funny letter to the paper suggesting it is). the important question is not what is art? but when is art?

　　the only problem is that this definition also leaves out some very good installations. consider richard wilsons 20:50. it consists of a lake of sump oil that uncannily reflects the ceiling of the gallery. spectators penetrate this lake by walking along an enclosed jetty whose waist-high walls hold the oil at bay. this 1987 work was originally set up in matts gallery in east london, through whose windows one could see a bleak post-industrial landscape while standing on the jetty. the installation, awash in old engine oil, could thus be taken as a comment on thatcherite destruction of manufacturing industries. then something very interesting happened. thatchers ad man charles saatchi put 20:50 in his windowless gallery in west london, depriving it of its contet. but the thames and hudson definition does not allow that this 20:50 is an installation because it wasnt created for that space. this is silly: it would be better to say there were two installations - the one at matts and the other at the saatchi gallery.

　　or think about damien hirsts in and out of love. in this 1991 installation, butterfly cocoons were attached to large white canvases. heat from radiators below the cocoons encouraged them to hatch and flourish briefly. in a separate room, butterflies were embalmed on brightly coloured canvases, their wings weighed down by paint. the spectator needed to move around to appreciate the full impact of the work. unlike looking at paintings or sculptures, you often need to move through or around installations.

　　what these two eamples suggest to me is that we are barking up the wrong tree by trying to define installations. installations do not all share a set of essential characteristics. some will demand audience participation, some will be site-specific, some conceptual gags involving only a light bulb.

　　installations, then, are a big, confusing family. which brings us to the second question. why are there so many of them around at the moment? there have been installations since marcel duchamp put a urinal in a new york gallery in 1917 and called it art. this was the most resonant gesture in 20th century art, discrediting notions of taste, skill and craftsmanship, and suggesting that everyone could be an artist. futurists, dadaists and surrealists all made installations. in the 1960s, conceptualists, minimalists and quite possibly maimalists did too. why so many installations now? after all, two of this years four turner prize candidates are installation artists.

　　american critic hal foster thinks he knows why installations are everywhere in modern art. he reckons that the key transformation in western art since the 1960s has been a shift from what he calls a vertical conception to a horizontal one. before then, painters were interested in painting, eploring their medium to its limits. they were vertical. artists are now less interested in pushing a form as far as it will go, and more in using their work as a terrain on which to evoke feelings or provoke reactions.

　　many artists and critics treat conditions like desire or disease as sites for art, writes foster. true, photography, painting or sculpture can do the same, but installations have proved most fruitful - perhaps because with installations the formalist weight of the past doesnt bear down so heavily and the artist can more easily eplore what concerns them.

　　why are installations so bloody irritating, then? perhaps because in the many cases when craftsmanship is removed, art seems like the emperors new clothes. perhaps also because artists are frequently so bound up with the intellectual ramifications of the history of art and the cataclysm of isms, that those who are not steeped in them dont care or understand. but, ultimately, because being irritating need not be a bad thing for a work of art since at least it compels engagement from the viewer.

　　but irritation isnt the whole story. i dont necessarily understand or like all installation art, but i was moved by double bind, juan munozs huge work at tate modern. a false mezzanine floor in the turbine hall is full of holes, some real, some trompe loeil and a pair of lifts chillingly lit and going up and down, heading nowhere. to get the full impact, and to go beyond mere illusionism, you need to go downstairs and look up through the holes. there are grey men living in rooms between the floorboards, installations within this installation. its creepy and beautiful and strange, but you need to make an effort to get something out of it.

　　the same is true for martin creeds lights going on and off, though i didnt find it very illuminating. my work, says martin creed, is about 50% what i make of it and 50% what people make of it. meanings are made in peoples heads - i cant control them.

　　its nice of creed to share the burden of significance. but sadly for him, few of the spectators were making much of his show last week. his room was often deserted, but the rooms housing isaac juliens boring films and richard billinghams dull videos were packed. maybe creeds aim is to drive people away from installation art, or maybe he is just not understood. whatever. the lights were on, and sometimes off, but nobody was home.

学英语作文篇3

　　my winter holiday

　　i have a happy winter holiday, because i go to many places.

　　first, i go to liannan to climb mountains and visit some old houses.

　　then i go to longmen. in the evening, we go to the hot spring. my mothers friend says, there are many squirrels in nankun mountain! thats very interesting! i want to see monkeys very much. but we dont have time to go there. i am so sad!

　　later, we go to other places, such as i qiao, guangzhou, etc.

　　i love my colourful winter holiday! what about your holiday?

学英语作文篇4

　　I love my hometown.The environment here is pretty good.The trees are green and the sky is blue.There is a big lake behind my house,the water is very clean,and I usually go fishing with my mother.There are also a lot of animals,they are very cute.You see,my hometown is beautiful,welcome to my hometown!

学英语作文篇5

　　Guangzhou is the capital of Guangzhou. It is the biggest city in south China. And it is one of the most important cities in Guangdong. The population of Guangzhou is more than 700 million. Just like many cities, there are a lot of cars, buses and trucks. So the air in the city is not clean.

　　Guangzhou is a noisy and crowded city. But I like it best. Because Guangzhou is my home.

学英语作文篇6

　　每个人的心中都会有梦想，或许还不止一个，这些梦想就是我们生活的目标，就是我们前进的动力。如果一个人连梦想都没有，那么他的生活将会是非常乏味甚至于不过是在吃喝等死，只因为他没有了奋斗的目标。

　　Everyone has a dream, maybe more than one. These dreams are the goal of our life and the motive force of our progress. If a man does not even have a dream, then his life will be very dull, even when he is eating and drinking, just because he does not have the aim of struggle.

　　我的梦想是当明星，我知道实现这个梦想有多困难，但是只要努力了，就总有实现的一天。

　　My dream is to be a star. I know how difficult it is to realize this dream. But as long as I work hard, there will always be a day to come true.

　　每次在娱乐新闻上看到某位明星的负面新闻时，我就会痛恨那些八卦记者，他们只顾自己的利益，不想想明星的感受，谁会愿意把自己的生活曝光在聚光灯下呢?当我看到有些明星因为好友的出卖，许多生活私密照都被曝光。有时候明星稍不留心做出一些冲动的事，就会被记者拍下来，然后就会遭到众人的指责。有时他们想发泄也一定要忍住。

　　Every time I see the negative news of a star in the entertainment news, I hate those gossip reporters, they only care about their own interests, not to think about the star feeling, who will be willing to give his life under the spotlight? When I saw some stars because of friends sell, many private photos are exposure. Sometimes, a star who does not pay attention and does something impulsive will be photographed by reporters and then will be blamed. Sometimes they want to vent, and they must refrain from it.

　　背后的痛苦，却换来了舞台上的辉煌。当明星们承受着所有痛苦站在舞台上时，他们觉得这一切的痛苦都是值得的。当我们看到我台上光芒四射的明星，一种崇敬之情油然而生，喜欢他们不如说喜欢他们的`意志力和克服困难的决心。他们背后曲折又辛酸的故事常常令我感动，他们拥有着比超人更强大的能量，他们忍受了所有的委屈，只为了台下的掌声，我觉得他们真的很值得崇敬。

　　Behind the pain, but in exchange for the stage of the brilliant. When the stars were standing on the stage with all the pain, they felt the pain was worth it. When we see the radiant stars on my stage, a feeling of reverence arises, and I like them more than I like their will and determination to overcome them. They are behind the twists and turns of sad story often makes me moved, they have a more powerful than superhuman energy, they endured all the grievances, only to the audience's applause, I think they are really worthy of honor.

　　虽说我的梦想是当明星，但其实，不如说是我想要挑战自己，同时也想锻炼我自己的意志力。明星所经历的苦我都了解、明白，但正因为如此所以我想要去尝试，我想去获得克服困难的勇气，所以我在努力着。

　　Although my dream is to be a star, it is better to challenge myself than to exercise my will power. I know and understand the hardships experienced by the stars, but because of this, I want to try. I want to get the courage to overcome the difficulties, so I am trying.

　　你的梦想是什么?你已经决定好自己要怎么做了么?努力吧，我们一起努力!

　　What's your dream? Have you decided what you're going to do? Try. Let's work together!

学英语作文篇7

　　寒假里，妈妈让我教弟弟学英语。这可真是一件苦差事呀!因为弟弟英语不太好,他平常又不用功。

　　那天中午，我开始教弟弟学英语了。我说：“Glad to see you。”弟弟却说：“Glag to she you。”我听了很生气，说:“不是‘Glag’,‘Glad’，另外不是‘she’，是‘see’。”弟弟虽然把“Glad”改过来了，可是“see”仍是改不过来。我说“see”，他呢，偏偏说“she”，好像成心气我似的。我让他看着我的.嘴，看看我是怎么发音。他看了一会儿，改了过来。可是过了一会儿，又读成“she”了。我说：“不是读‘she’，而是‘see’,把舌尖稍微翘一点，舌头的两边放到牙齿的两侧，牙齿的中间留一点空隙，开始发音，就发出‘see’了。”

　　弟听了，似乎明白了，好不容易发出了“see”。过了一会儿，我又指出“see”让弟弟读，弟弟读出了“see”，我高兴的说：“弟弟终于改过来了，这可真是太好了！”

　　又叫了一会儿，弟弟不耐烦了，吵着说不学了。我灵机一动：要不学着英语老师那样，一边讲，一边做游戏。于是，我就把我的想法说给弟弟听，弟弟拍手赞成。顿时，他想变了一个人，一下子有了精神。经过半个小时的努力，弟弟不仅把课文读会了，而且还背会了呢！

　　通过这件事，我明白了：当老师是多么不容易，我们应该懂得老师的良苦用心，老师说什么，我们做什么，做一个听话的好孩子。

学英语作文篇8

　　everyone in our school likes sports。 every morning， after we get up， we do morning exercises。 and after the second class， we do exercises again。

　　we only have pe classes twice a week， but we do sports at five every afternoo。 we have school basketball， football and volleyball teams， and our teams often have matches with teams from other schools。 besides ball games， some of us like running， jumping and swimming。 once a year we have a sports meeting。

　　我校人人都喜爱运动。每天早晨起床后，我们做早操。下第二节课后我们又做课间操。我们每周只上两节体育课，可是我们每天下午五点都做运动。

　　我们有校篮球队、足球队和排球队，这些队常与外校比赛。除了球类运动之外，我们有些人喜爱跑、跳和游泳。我们每年举行一次运动会。

学英语作文篇9

　　这几天呐，爷爷迷上英语了，要来我预备级的书，准备自学成材。真不知道爷爷是三分钟热度还是真的想学，反正每天都读，也不知道跟谁学的。不对，爷爷的记性一点都不好，怎么记住的？你听——又开始读了，我得看看。

　　“apple、computer、china、one那叫啥d来着，唉，我这记性。”

　　“oneworld.”

　　“对，对，就是‘我的’”

　　我一听，不对，怎么变音了？我一瞧，笑得直不起腰，书上写的都是不着边的汉语，爷爷知道这是不对的，耸耸肩，撇撇嘴，我说：“这都是跟谁学的，不能这样。不如我教你吧。”爷爷高兴得直点头，于是，我正式上任了。

　　我看爷爷学音标也晚了，就教趣味记忆法：“爷爷，你看‘computer’这个中c的像一把椅子，o像一个人，m像一台电脑,后面的可以拼出来，p念汉语拼音里的.p，u年汉语拼音的u，拼一下，ter也同样拼出来。这样不但好记，还好拼写，这就是趣味记忆法。”

　　爷爷笑着摸了摸我的头，又埋头练习了。

　　现在你再听爷爷读——“Imsohappy20xxolymhttps://p.9136.com/1xing.Iverylikeplayingbadminton.”怎么样，都会连词成句了。爷爷说他的下一个目标是背英语课文和写英语文章，让我们一起为爷爷加油吧！

学英语作文篇10

　　Dear mother ,

　　The mother's day is coming and I would like to say “Happy mother's day” in this letter. I love you and thank you so much for everything you did for me. This day，I will stay away and can't give you my appreciation at home. I know I will watch myself，so don't worry about me. I am doing very well on my study. My schoolmates and teachers are all very nice. Though I can't be at home， I hope you will have a wonderful mother's day.

　　Your son,

　　Li ming

　　亲爱的母亲：

　　母亲节快到了，我想在这封信里对您说“母亲节快乐”。我爱你，感谢你为我做的'一切。这一天，我离开了，不能在家给您表达我的谢意。我知道我会看着自己，所以不要担心我。我在学习上做得很好。我的同学和老师都很好。尽管我不在家里，我仍希望您有一个美好的母亲节。

　　你的儿子，

　　李明

【学英语作文】相关文章：