学英语作文大全(10篇)
在日常学习、工作或生活中，许多人都有过写作文的经历，对作文都不陌生吧，作文是经过人的思想考虑和语言组织，通过文字来表达一个主题意义的记叙方法。怎么写作文才能避免踩雷呢？下面是小编为大家整理的学英语作文10篇，欢迎大家分享。
学英语作文 篇1
In London I lived in Sharon’s house. She is my homestay mother. She is nice and friendly.
I had a good time with my homestay. The house was comfortable and the food was delicious. I enjoyed my food very much. We had toast and cereal for breakfast; we had sandwiches and fruits for lunch; we had spaghetti or rice for dinner. Sharon’s a very good cook. She could cook very well. I got fat in London.
Sometimes I felt lonely. Because I missed my family so much. Thank you for my homestay. Thank you for my new friends in London. Thank you for the teacher. Because of their good taking care that I had a wonderful time in London with them.
学英语作文 篇2
Qiangqiang is my classmate. He is nine years old. He doesn't study hard. He talks a lot in class, so the teacher is often angry with him. He doesn't like to do his homework, but he likes sports. He plays football very well. In fact, he is the best player in our class.
学英语作文 篇3
I got up early this morning. I cleaned my room. I opened the window and aired the room. I picked up the paper and swept the floor. Then I made the bed.
I played computer games. We had lunch at 12:00. We had fish for lunch.
After lunch we went to the park. In the evening I did my homework. We had deliciousfood for supper.
I was very happy today.
我今天很早起床，打扫了房间，我开窗通了风，我捡了地上的'纸，扫了地，然后我整理了床铺。
我玩了电脑游戏，我们在12点的时候吃了午饭，我们吃了鱼。
午饭后，我们去了公园。傍晚的时候我做了作业，我们晚饭吃了美味。
我今天过的很愉快。
学英语作文 篇4
Hi,boys and girls,Do you want to know my last weekend? Let me tell you.
On Saturday morning,I got up at 10:00,Then I ate breakfast,I did my homework.In the afternoon,I had to go to school to study.
In the evering,I watched TV and played with my little dog. It’s white and lovely.
On Sunday morning, I got up early and went to the school to study. After school, I helped my mother to do housework, She was happy.
In the afternoon, I played a ball with my friends and washed my clothes. At night, I went to bed at 9:00.
This is my last weekend.what a busy one!
学英语作文 篇5
why do i take college english test band 6 ? directions: for this part, you are allowed thirty minutes to write a composition on the topic why do i take college english test band 6 ? you should write at least 120 words and your composition should include the following two points (given in chinese):1．有人认为没有必要参加大学英语六级考试(简称cet—6)；2．我参加cet—6考试的理由。why do i take college english test band 6 ?more and more students enter for college english test band 6 this year. some students, however, think it unnecessary to do so. when asked, some say that the test is so difficult that they are afraid that they will not pass it. others say that this test is not as useful as such tests as toefl or gre. so they＇d like to take the more useful.i think it both useful and necessary to take this test. the many comprehensive and objective items in the test will enable me to know whether i have made any progress in my english study after i took the cet 4 a year ago. in this way, i can find my strengths and weakness in my english study. besides, i regard the certificate of this test valuable. i will be in an advantageous position when i am looking for a job after graduation armed with this certificate. furthermore, if i can pass this test, i will be more confident when i take such tests as toefl or gre. that＇s why i am here today, sitting in the classroom, taking this test seriously.
学英语作文 篇6
there was a bit of a fuss at tate britain the other day. a woman was hurrying through the large room that houses lights going on and off in a gallery, martin creeds turner prize-shortlisted installation in which, yes, lights go on and off in a gallery. suddenly the womans necklace broke and the beads spilled over the floor. as we bent down to pick them up, one man said: perhaps this is part of the installation. another replied: surely that would make it performance art rather than an installation. or a happening, said a third.
these are confusing times for britains growing audience for visual art. even one of creeds friends recently contacted a newspaper diarist to say that he had visited three galleries at which creeds work was on show but had not managed to find the artworks. if he cant find them, what chance have we got?
more and more of londons gallery space is devoted to installations. london is no longer a city, but a vast art puzzle. net to creeds flashing room is mike nelsons installation consisting of an illusionistic labyrinth that seems to lead to a dusty tate storeroom. its the security guards i feel sorry for, stuck in a fau back room fielding tricky questions about the aesthetic merits of conceptual art simulacra and helping people with low blood sugar find the way out.
every london postcode has its installation artist. in sw6 luca vitoni has created a small wooden bo with grass on the ceiling and blue sky on the floor. visitors can enhance the eperience with free yoga sessions. in w2 the serpentine gallery has commissioned doug aitken to redesign its space as a sequence of dark, carpeted rooms with dramatic filmed images of icy landscapes, waterfalls and bored subway passengers miraculously swinging like gymnasts around a cross-like arrangement of four video screens. the gallery used to be stables, you know. not to be outdone, in se1 tate modern has a wonderful installation by juan munoz.
at the launch of this years turner prize show, a disgruntled painter suggested that the ice cream van that parks outside the tate should have been shortlisted. this is a particularly stupid idea. where would we get our ice creams from then?
what we need is the answer to three simple questions. what is installation art? why has it become so ubiquitous? and why is it so bloody irritating?
first question first. what are installations? installations, answers the thames and hudson dictionary of art and artists with misplaced self-confidence, only eist as long as they are installed. thanks for that. this presumably means that if the ice cream van man took the handbrake off his installation van no1, it wouldnt be an installation any more.
the dictionary continues more promisingly: installations are multi-media, multi-dimensional and multi-form works which are created temporarily for a particular space or site either outdoors or indoors, in a museum or gallery.
as a first stab at a definition, this isnt bad. it rules out paintings, sculptures, frescoes and other intuitively non-installational artworks. it also says that anything can be an installation so long as it has art status conferred on it (your flashing bulb is not art because it hasnt got the nod from the gallery, so dont bother writing a funny letter to the paper suggesting it is). the important question is not what is art? but when is art?
the only problem is that this definition also leaves out some very good installations. consider richard wilsons 20:50. it consists of a lake of sump oil that uncannily reflects the ceiling of the gallery. spectators penetrate this lake by walking along an enclosed jetty whose waist-high walls hold the oil at bay. this 1987 work was originally set up in matts gallery in east london, through whose windows one could see a bleak post-industrial landscape while standing on the jetty. the installation, awash in old engine oil, could thus be taken as a comment on thatcherite destruction of manufacturing industries. then something very interesting happened. thatchers ad man charles saatchi put 20:50 in his windowless gallery in west london, depriving it of its contet. but the thames and hudson definition does not allow that this 20:50 is an installation because it wasnt created for that space. this is silly: it would be better to say there were two installations - the one at matts and the other at the saatchi gallery.
or think about damien hirsts in and out of love. in this 1991 installation, butterfly cocoons were attached to large white canvases. heat from radiators below the cocoons encouraged them to hatch and flourish briefly. in a separate room, butterflies were embalmed on brightly coloured canvases, their wings weighed down by paint. the spectator needed to move around to appreciate the full impact of the work. unlike looking at paintings or sculptures, you often need to move through or around installations.
what these two eamples suggest to me is that we are barking up the wrong tree by trying to define installations. installations do not all share a set of essential characteristics. some will demand audience participation, some will be site-specific, some conceptual gags involving only a light bulb.
installations, then, are a big, confusing family. which brings us to the second question. why are there so many of them around at the moment? there have been installations since marcel duchamp put a urinal in a new york gallery in 1917 and called it art. this was the most resonant gesture in 20th century art, discrediting notions of taste, skill and craftsmanship, and suggesting that everyone could be an artist. futurists, dadaists and surrealists all made installations. in the 1960s, conceptualists, minimalists and quite possibly maimalists did too. why so many installations now? after all, two of this years four turner prize candidates are installation artists.
american critic hal foster thinks he knows why installations are everywhere in modern art. he reckons that the key transformation in western art since the 1960s has been a shift from what he calls a vertical conception to a horizontal one. before then, painters were interested in painting, eploring their medium to its limits. they were vertical. artists are now less interested in pushing a form as far as it will go, and more in using their work as a terrain on which to evoke feelings or provoke reactions.
many artists and critics treat conditions like desire or disease as sites for art, writes foster. true, photography, painting or sculpture can do the same, but installations have proved most fruitful - perhaps because with installations the formalist weight of the past doesnt bear down so heavily and the artist can more easily eplore what concerns them.
why are installations so bloody irritating, then? perhaps because in the many cases when craftsmanship is removed, art seems like the emperors new clothes. perhaps also because artists are frequently so bound up with the intellectual ramifications of the history of art and the cataclysm of isms, that those who are not steeped in them dont care or understand. but, ultimately, because being irritating need not be a bad thing for a work of art since at least it compels engagement from the viewer.
but irritation isnt the whole story. i dont necessarily understand or like all installation art, but i was moved by double bind, juan munozs huge work at tate modern. a false mezzanine floor in the turbine hall is full of holes, some real, some trompe loeil and a pair of lifts chillingly lit and going up and down, heading nowhere. to get the full impact, and to go beyond mere illusionism, you need to go downstairs and look up through the holes. there are grey men living in rooms between the floorboards, installations within this installation. its creepy and beautiful and strange, but you need to make an effort to get something out of it.
the same is true for martin creeds lights going on and off, though i didnt find it very illuminating. my work, says martin creed, is about 50% what i make of it and 50% what people make of it. meanings are made in peoples heads - i cant control them.
its nice of creed to share the burden of significance. but sadly for him, few of the spectators were making much of his show last week. his room was often deserted, but the rooms housing isaac juliens boring films and richard billinghams dull videos were packed. maybe creeds aim is to drive people away from installation art, or maybe he is just not understood. whatever. the lights were on, and sometimes off, but nobody was home.
学英语作文 篇7
li mei is a new comer to our class。 she is short and thin。 she looks quite and unhappy。 and then we know her story。
li mei has no mother， and her father is ill in bed。 she also has a 70-year-old grandmother。 they are living a poor life。
as soon as we knew about it， we all quickly started to do something for her。 at first， mr ma， our english teacher， gave her 300 yuan。 then gao wen gave her some new clothes。 at last， we decided that everyone will save 5 yuan for her family every month。 we often visit her father and help her do the housework。 there is a smile on her face now。
李梅是刚到我班的新生。她个子矮矮的，瘦瘦的，看起来寡言少语很不开心。后来我们知道了她的经历。
李梅没有母亲，她父亲因病卧床不起，家里还有七十岁的.老奶奶。他们的生活很艰苦。
我们一知道这件事后便马上开始为她做些事，开始我们英语老师马老师给了她300元，后来高雯送了她一些新衣服。最后我们决定每人每月给她家节省5元钱。我们常去看她爸爸，并帮她做些家务活。现在她的脸上出现笑容了。
学英语作文 篇8
I have a winter holiday for more than thirty days every year Between December and January. everybody did a lot of things in the Winter Holiday,So did I , Let you to listen to my life of Winter Holiday.
Last year, I entered the university of traffic, in this winter vacation I was very relaxed, never to have too much homework any more.i can do something I like or to help my mother clean rooms. I sometimes went shopping with my friends . We had a good times! I also watched TV and read books. I will also be concerned about climate and news,Besides that,I often visited my grandparents. Because my parents are too busy to chat with them
It's worth mentioning that Spring Festival is during the winter vacation . We had a big dinner on the New Year’s ,during the spring festival I was visited many relatives,I also to get gogether with My classmate.In this winter holiday,I went to Harbin with my mother. There is snow and ice everywhere , This is a beautiful city, We stayed here for 3 days, The most unforgettable thing is to See many beautiful ice sculptures,I will' always remember Harbin, for the snow, the ice sculptures and all the beautiful things.
In short, I have a full and happy life during winter holiday .i reading ,meeting, junketing and do something that I like . I have a great time during the winter holiday!
学英语作文 篇9
My friend's name is Jane.She is a very cute girl,who has big black eyes and long black hair.
She is also a very helpful friend.
Whenever I have math problems I can't solve myself,she will help me,even if she doesn't have too much time.
Me and Jane often go out together and have a lot of fun.I hope we can be friends forever!
学英语作文 篇10
English is one of the most important subjects. I like English very much. However, I am not good at English because I always make some mistakes in the English test. It was the time for an English test yesterday.
Our English teacher, Emmy, came into the classroom with some test papers under her arm. She wore a smile on her face, and then she said, “OK. The test will begin. I hope that you will try your best to do it well. If you are careful enough, you will get a good result.” At first, I felt a little nervous. But when I heard her words, I calmed down. I said to myself, “I can do better than before.”·
At the beginning of the test, I came across some difficult problems. I did not know what to do. I was very worried. I kept saying to myself, “I must calm down. Then I can work them out.” A few minutes later I worked these problems out. I felt very happy.
Then I went on working on my test. Thirty minutes later, I finished my test.· I thought I could get more than 97 points for this test because the questions were not very hard. But when I saw my points, I couldn’t believe my eyes.
I only got 93 points. I was very surprised. I made some careless mistakes in the English test. I thought hard but I only got 93 points. There are two reasons. Firstly, although I worked hard, I didn’t work hard enough.
Other students work harder than I did. Secondly, I wasn’t careful enough. I am a careless girl. I think if I can become a careful girl, I will get more points. I believe I can. I will try my best to learn English well.
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